She cut her long blonde hair off
So that her father would stop
Always touching her.
Night is when death and his daughters arrive.
She stood in the dark
On the side of the Imperial
Highway waiting for anyone
Who would take her.
Who would take her.
We lived in the Blue House
In an abandoned car wash.
All of us, orphans and fucked
Feral children.
All of us, orphans and fucked
Feral children.
Most of us are dead now and
Cannot speak.
Nights, we inebriated and melted
Into the concrete floor of the Blue House.
Heaven was a sexless
Slumber party.
In the mornings we'd lose Germ,
The beautiful fifteen-year-old.
Outside the makeshift hospital,
He sold himself
For H. Do whatever it takes
To kill the breathing
Memory animals. We stayed
At the Blue House
Listening to Bowie's Heroes
In German. And watched the same movie
Over and over. The one about the thirteen-year-old
Junkie turned prostitute
In platforms and electrifying glamor
On Kurfürstenstrasse. And how we loved the White
Duke, living on warm milk and cocaine. Help me,
Billy said,
Her face a fixed mask
Of secret terror.
What her father did to her
In the night--
Help me, she said.
And we never did.
One thing that struck me about this poem was the juxtaposition of adult activities and a childlike way of communicating. It begins in the second stanza with the awkward inclusion of the word "always" to describe how Billy's dad touches her and continues towards the end when the speaker talks about watching a movie about a junkie prostitute "over and over."
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